The Good Literary Agency Prize 2022

The Creative Writing team at Brunel is thrilled to announce The Creative Writing Prize in partnership with the Good Literary Agency. The prize is open to all Brunel MA Creative Writing students who are submitting their dissertation projects in 2022. The Good Literary Agency is a social enterprise literary agency dedicated to increasing opportunities for representation for all writers under-represented in mainstream publishing including writers of colour, disability, LGBTQ+, working class and anyone else who feels like their story isn’t being told in mainstream publishing.

We at TGLA are absolutely thrilled to be partnering with the MA in Creative Writing at Brunel University. As literary agents on the lookout for a diverse range of fiction & non-fiction, we are excited about the wealth of literary talent coming out of Brunel University. We hope we can provide invaluable industry insight that will equip the students with knowledge to take forward into their careers in publishing, and hope this is an amazing opportunity for the 2022 winner.”

Kemi Ogunsanwo at TGLA

The partnership comprises three key stages:

1. Demystifying Publishing

This online event in March will provide students with the opportunity to hear details about the book publishing industry and ask questions of TGLA agents. The event will also be open to Brunel third year BA single and joint honours Creative Writing students.  

 2. Pitch Session

MA students will be given the opportunity to pitch their work to an agent from TGLA. Each student will have approximately ten minutes to pitch their work and receive feedback or ask questions.

3. Sample submission

Students are invited to submit the first three chapters of their novel or memoir (to a maximum of 8000 words) with a one page synopsis. A shortlist of candidates will be drawn up before the winner is confirmed, likely just before Christmas 2022.

The Good Literary Agency Prize winner 2022 will receive:

  • A full manuscript read (should they decide to complete the book)
  • A comprehensive set of editorial notes
  • A 1 on 1 session with an agent
  • The potential to be offered representation by TGLA once the manuscript is completed

TGLA website: https://www.thegoodliteraryagency.org/

Brunel MA in Creative Writing programme: https://www.brunel.ac.uk/study/postgraduate/creative-writing-ma

Spring 2022: Brunel Writers Series

All events are online and FREE but please register via the links provided below

09.02.22: WRITING MOTHERHOOD – CLAIRE LYNCH AND PENNY WINCER IN CONVERSATION

Join Claire Lynch and Penny Wincer as they ask, why writing about motherhood matters? Claire and Penny will share their own experiences of writing about motherhood in memoir and non-fiction and discuss why challenging mainstream definitions of motherhood is so important in their work.

Claire Lynch is the author of Small: On Motherhoods. Her personal essays have appeared in the Washington Post and on BBC Radio 4. She is a Professor of English Literature at Brunel University London.

Penny Wincer is a Melbourne born, London dwelling, author, podcaster and non-fiction book coach. After 15 years as a freelance interiors photographer, Penny began writing about life as a single parent and unpaid carer whilst juggling a freelance creative career. She has written for Red Magazine, iPaper and regularly contributes to The Telegraph. Penny’s first book Tender was published by Coronet Books in 2020. She co-hosts the podcast Not Too Busy To Write.

Please register for the Penny Wincer event: HERE…

23.02.22: WRITING CLASS – DAVID ELDRIDGE AND HELEN CULLEN IN CONVERSATION

Regarded as one of the most important contemporary playwriting voices, David Eldridge will be in conversation with Helen Cullen, author and Brunel lecturer, about his journey to becoming one of Britain’s most successful playwrights, his creative process and writing about class for the theatre.

David Eldridge: Described as a “a poet of the east end overspill” by the Observer, David Eldridge is widely regarded as one of the prominent playwriting voices of his generation, whose productions have premiered across the UK at venues including The National, The Royal Court, The Royal Exchange and The Donmar. Television credits include the The Scandalous Lady W for BBC 2, and Our Hidden Lives, a BBC adaption of the Simon Garfield novel.

Helen Cullen has published two novels to date, The Lost Letters of William Woolf (2018) and The Truth Must Dazzle Gradually (2020) with Penguin Random House in Ireland and the UK and in the USA by Harper Collins. The novels have also sold in translation to numerous foreign markets and been optioned for TV adaptations. Helen’s debut novel also garnered her a Best Newcomer nomination at the 2018 Irish Book Awards. Helen is currently completing a PhD on Creative and Critical Writing at UEA and is a member of the creative writing faculty at Brunel University. She is a regular contributor to the the Sunday Times and is an Irish Times literary critic. You can find her on socials as @wordsofhelen.

Please register for the David Eldridge event: HERE

16.03.22 WRITING MIGRATION – DAVID HERD AND WILLIAM WATKIN IN CONVERSATION

Poet, academic, and activist Prof. David Herd will be in conversation with Prof. William Watkin about his ground-breaking Refugee Tales project. They will be discussing how David has used creative practice and public spectacle as a constructive form of protest and celebration, and how his many years of working around issues of migration have impacted in his remarkable poetry.

David Herd’s books of poems include All Just, Outwith, Through, Songs from the Language of a Declaration, and Walk Song (forthcoming from Shearsman). His essays and poems have been widely published in magazines, journals and newspapers and his recent writings on the politics of human movement have appeared in From the European South, Los Angeles Review of Books, Paideuma, and the Times Literary Supplement. He is Professor of Modern Literature at the University of Kent and a co-organiser of the project Refugee Tales.

Prof. William Watkin is one of the leading voices in contemporary philosophy today and professor of contemporary philosophy and literature at Brunel University. William is very widely published with seven monographs to his name, including the recent Bioviolence: How the powers that be make us do what they want (2021). When he is not making the world a better place through philosophy, William is also a journalist, blogger, vlogger and painter.

Please register for the David Herd event: HERE

What a Night – Official Launch Party for ‘Myths, Monsters & Mayhem’!

After a spring and summer of smattering keyboards, online workshopping, proof-reading and polishing, the night we’ve all been waiting for finally arrived on Wednesday night – the Official Launch Party for the Myths, Monsters & Mayhem Anthology!

Having debuted on the Top Ten New Releases on Amazon earlier this summer, this anthology is the final result of the Horror, Sci-Fi and Fantasy module of 2021, containing the most chilling, inventive and fantastical stories from its students. And with the Halloween weekend just narrowly behind us, the launch of this spooky anthology couldn’t have been more perfectly timed.

When the doors opened at 6pm, students, lecturers, and locals alike mingled over snacks and drinks in the Artaud building on Brunel’s campus, copies of the vibrant blue cover flashing in every corner of the room. Natasha Stewart and Faizan Ahmed presented throughout the night, and the excitement was palpable as the live readings began.

Pictured: Natasha Stewart and Faizan Ahmed presenting the event.

Four of the anthology’s authors took to the stage to read. Kristie Gill with her story ‘Mumia’, Alex Curthew-Sanders with ‘The Gambling Box’, Natasha Stewart with ‘A Wild Witch in America’ and finally, Faizan Ahmed with ‘The Creed of the Talwar’. All brilliantly narrated before a captivated audience, giving us a taste of the wide range of stories in the anthology.

The night was a great success, and a rewarding experience after the many online meetings and workshops to make it happen.

A huge congratulations to all the students involved in the anthology for a brilliant release and launch!

Pictured: Creative Writing Students behind the Myths, Monsters & Mayhem Anthology (2021)

And of course, a big thank you to Mr Frazer Lee, for organizing this opportunity for the students of the module.

If you haven’t got your copy yet, it’s a perfect read for the spooky season! Myths, Monsters & Mayhem is available on Amazon for just £4.99, and all proceeds go the NHS Charities Together. Enjoy!

Psst… If you missed the event, Brunel Writer livestreamed the entire thing on our Instagram page – check it out!

Winning Story ‘EXIT STAGE RIGHT’ by Kira Nelson

The Winning Story from Our Flash Fiction Competition

We invited all new first year undergraduate Creative Writing students to submit their best teeny tiny stories to our Flash Fiction Competition for stories under 500 words, and would like to thank everyone who entered for taking part.

We are delighted to announce Kira Nelson as the winner with her story ‘EXIT STAGE RIGHT’. The judges enjoyed the way Kira borrowed elements of the script format for her flash fiction piece, artfully bringing together form with theme in this emotive piece.

You can read Kira’s winning story below.

EXIT STAGE RIGHT

I can’t breathe.

I left home at 10 last night, to buy razors. The little pink disposables from Tesco, so brittle yet so deadly.

I can hear them, in the distance, my name on their lips like a song that never ends. But I still can’t breathe. As I drag the first razor down my arm, the cheers grow louder. Or are they jeers? Is it my name they sing or that of the devil?

I have to feel, something. Relief, control, direction, passion. Guilt. That which the crowds can’t give me. Marco comes in, it’s my cue but I still can’t breathe. Dry tears flow freely, the blood fresh, my throat raw but I’m awake. I’m ready. I know Marco sees the razors, I feel his eyes on me but I can’t stop. The show must go on, after all.

Anna, they scream, Anna! The people’s darling, mother says. She must be so proud. I break into a smile as I twirl and fly and flutter across the boards, my silk dress billowing behind me. I speak lines I would never say to people whose names I half remember and the people revel in it! Whooping, hollering, cheering. I feel the red ink dripping onto my shoes and suddenly the noise goes quiet. The smiles of the crowds dissipate and now I breathe.

In, out, in, out.

Are you alright, he says, as I come to. The stagehand, who bought me coffee a few weeks ago. Did I take him home, or did he? I can’t answer, I’m still dancing, here in my living room in my empty apartment. Are you alright, he repeats, and I nod.

“I worry about you, Anna,” he says. “You shouldn’t be alone tonight. Are you sure you don’t want me to stay over?”

I’ll be fine. I twirl and spin in my head as he picks up his keys and his phone and makes for the door. Exit stage right, I call out loudly from behind the scenes. The crowd applauds, begging for an encore.

One last song and the roar erupts from the bathroom taps as I turn on the light. Tesco light pink razors wait patiently, the glint of the blade catching my eye much as I try to turn away. The light dims and the crowds head home, to beat the traffic most likely. I run the bath and browse my phone, no calls, texts from Marco and Julia. Another performance next week.

The bath turns red. The crowd long since gone, I revel in the silence. One more song? Alright, but only a short one.

EXIT STAGE RIGHT.

Kira Nelson was born in Sidcup, UK and raised in Orpington until the age of nine, when she moved to the Middle East. She generally writes either poetry based on her own life experiences or protest poems covering important world events and injustice. She is also in the process of writing several novels alongside pursuing a BA Creative Writing degree at Brunel University London. You can follow her on Instagram @babyfacekiki_

Myths, Monsters & Mayhem – The New Champion of Horror, Sci-fi & Fantasy

by Faizan Ahmed

The Pandemic Era shifted our livelihoods, causing many of us to stay home for longer than we would have liked. Covid, the new World Heavyweight Champion, reigned supreme with no clear end in sight. But in that time, and after lots of introspection, Zoom calls and head scratching, the world started turning. The minds of 2021’s Horror, Sci-Fi and Fantasy class started churning those old rusty cogs again to do what we love. To write.

It is my honour to be a part of such a tenacious bunch, and to have personally designed the cover and name for our star-studded project. The online poll held for the anthology’s name was an exciting contest I knew I couldn’t miss out on. I studied previous anthologies in the series, like Wizards, Werewolves & Weird Engines and Robots, Rogues & Revenants, and knew that alliteration had to be carried forward. But the theme? My featured story explores the Islamic myth of Jinn, a human-like race only invisible and made of fire. It was from this idea that I wanted to capture the eeriness and fear I had of them as a child, which led to the inspiration of the name. A race of invisible monsters, causing chaos without us ever knowing… aha! Myths, Monsters & Mayhem!

(Faizan’s winning cover design)

Before designing the book cover, I had no experience in digital drawing, except in editing existing works. I wanted to create something that carried the tradition of the previous covers, whilst adding my own artistic flair to it. I was playing games such as the action-adventure hit Assassin’s Creed: Valhalla and had recently gotten into the Islamic-historical series Resurrection Ertugrul, so I wanted to see if I could combine the barbaric Vikings from the game and mountainous, tribal landscape from the series. Hence, I hand-drew the mountain backdrop, with waves crashing over it symbolising chaos. The warriors dotting the cover were an homage to the stories featured, and the intimidating demon on the left was a nod to the Jinn. When learning of our plan to donate to NHS Charities Together, I knew I wanted the wash of blue from the waves to be more apparent, so I added the blue magic graphic to the eyes and hands of the warriors on the cover as a tribute. The cover of this anthology was a new venture for me, as were many of the stories for the writers. But life is about taking those leaps, and when you have the courage to do so, you share those spoils with the world.

We bring to you explorations of myths, tales of grotesquely intriguing monsters and fragments of absolute mayhem. From the kingdoms of ancients to facing fears, you are in for thrills and chills like no other. Gear up for a collection of provocative madness.

(our book in the Top 5 hot new releases on Amazon!)

Myths, Monsters and Mayhem is the perfect jolt you need right now, whether that be a spark of creativity for a dormant idea or an actual jolt of fright. Oh yes, this isn’t a book by the beach. Welcome to the world of mighty fights, strange encounters and gruelling, gripping tests. All fun times, I assure you. Each story ignites something different in you, and with each of our champion writers showcasing their finest works to date, your eyes will be racing page to page for more.

The world may not be completely back to normal just yet but, for a moment, join our world where fantasies are realised. Smile, laugh and cry with us as you explore this stellar book we’ve had so much joy in creating. We hope this anthology, and our previous anthologies, inspire you like they have inspired us. Who knows, maybe there’s a writer in you, impatiently waiting to burst through with myths, monsters and mayhem of your own?

Having lived abroad for 8 years, Faizan Ahmed had the pleasure of experiencing a myriad of cultures. Faizan is an aspiring Game Designer and Creative Writer. Enthused with a passion for wrestling, superheroes and historical fiction, he channels his experiences to create compelling content for a variety of media outlets. Follow his journey to become a WWE Wrestler on Instagram: @sher.khan.official and catch the latest in his life: @ahmedfaizan68

“It’s alive!” Proudly presenting charity student anthology ‘Myths, Monsters and Mayhem’

Cover design by Faizan Ahmed

Congratulations to all of the Creative Writing undergraduate students involved in this Summer’s anthology project.

Myths, Monsters & Mayhem is a collection of 22 flash fiction stories in the horror, science fiction, and fantasy genres.

The book is out now in Kindle e-book and paperback, and all proceeds will be donated to NHS Charities Together.

Please share the book link far and wide! http://mybook.to/MMandM

Frankenstein Its Alive GIF - Frankenstein Its Alive Happy - Discover &  Share GIFs
It’s aliiive!

A book launch event with live readings by the student authors will follow this autumn (subject to Government health restrictions). Watch this blog for updates!

The Brunel Writer Prize 2021

Every year, The Brunel Writer Prize is awarded to the student with the highest graded article submission for the Creative Industries module on Brunel University’s Creative Writing Programme. This year’s winner is Gatlin Perrin whose article offers some insightful tips on navigating uni. Congratulations Gatlin!

From Freshers to Final Year: How to Do University

by Gatlin Perrin

Getting through university is difficult, and anyone who says otherwise is lying. Wherever you’re at with your uni journey, here are fourteen no-nonsense tips and tricks for getting from Freshers to final year with the majority of your limbs intact.

Good luck.

1. There is a room on the second floor of the library filled with study cubicles. This is the perfect place on campus to cry. Don’t ask me how I know this.

2. On the third floor of the library is the mental wellbeing centre, where you can ask for counselling. They also give out free stress balls, which can be used as projectiles if you prefer a more violent approach to problem solving.

3. Some people will tell you that you’ll make friends for life during Freshers Week, and those people deserve to be punched in the face for causing unnecessary stress. That group over there who are all laughing and hugging aren’t “friends for life”, they’re drunk. You will find friends when you find them.

4. If you live in halls, remember – everyone has their own idea of what “sharing” is. The statement “help yourself to anything in my fridge” is a grenade that’s just had the pin removed. Padlock everything. P.S., everyone also has their own idea of what “clean” is, so get ready to discover at least seventeen different species of mould on a dinner plate.

5. Mind your own business. If I’m not judging you for only having attended one lecture the entire year, you don’t judge me for literally crying with relief when a lecturer tells me my assignment wasn’t awful. This is a no judgement zone.

6. When in second year, do not compare yourself to the first years. They’ll always seem more talented, more composed and somehow better looking than your year. Try not to take it personally.

7. When in third year, do not compare yourself to the previous third years. They also had no idea what they were doing, they just hid it better.

8. Buy a dictionary. This is because whatever year you happen to be in, none of the words on the assignment brief will ever start to make sense.

9. Kidneys go for an average of around £5000 on the black market. You can survive with just the one but you’ll need at least six if you keep doing your weekly shop at Sainsbury’s. Lidl is your friend.

10. Third years, buy an umbrella. This is because as soon as you enter your final year you will notice the vast storm cloud of “life after graduation” approaching in the distance. It’s coming faster than you think.

11. In that vein, if anyone asks you what your career plans are for after graduation you are required by law to push them down the stairs. Refer back to tip five.

12. Having mental health issues at university is like contracting an STI: more people have them than you think, you shouldn’t be ashamed but you still need to do something about them before they get worse. Refer back to tip two.

13. Get hopeful. This is because you have to – what’s the alternative? You’re not the only one who didn’t get that internship or won’t get the first they wanted, and this does not mean that you’ve failed at life. Focus on you.

14. Keep focusing on you. The most important part of university is to get out of it alive. Drink water. Get some sleep. Talk to someone when you need help. You’ve got this.

Gatlin Perrin is a North Walian writer who pens books for children and scripts that are not for children. Their play Bear Hands was featured digitally at the Edinburgh Fringe, and their children’s novel His Royal Hopeless is out September 2nd 2021 under the pen name Chloë Perrin. Gatlin likes to think they can do it all, which is probably why they’re in therapy.

Brunel Creative Writing reaches new heights

Creative Writing at Brunel University has risen to 2nd in London in the 2021 Complete University Guide.

Brunel Creative Writing also ranks 13th out of 53 Universities across the whole of the UK, with an impressive 89% overall satisfaction rating from students.

If you’d like to join our growing community of Creative Writers and study on one of our BA, MA, or postgraduate programmes, get in touch with us here.

Book Cover Design Competition: #Horror #Scifi #Fantasy Anthology 2021

Brunel University London’s 2nd year Creative Writing students are preparing to launch their latest anthology.

Myths, Monsters & Mayhem is a collection of flash fiction in the horror, sci-fi and fantasy genres, and will be published in e-book & paperback this autumn. All proceeds will be donated to charity.

The competition for the cover design is open to all Brunel University London Undergraduate students.

If you win, as well as seeing your design on the book & your name credited in the book, we will send you your own e-book copy, and it’s a great addition to your CV.

The design needs to be:

  • High-resolution, 300 dpi .png/.jpg format OR Photoshop .psd format
  • Dimensions: 2,560 (height) x 1,600 (width) pixels
  • Please keep back-up copies of your working files so they can be easily edited!

Entries must be submitted by:
Friday 2nd July, 2021
by 5pm

via email to brunelwriter@gmail.com with the subject header:
‘MYTHS, MONSTERS & MAYHEM’

See our previous genre anthology covers for inspiration:

Good luck & happy designing!

Interview with Careless author Kirsty Capes

Brunel Writer had the pleasure of talking to author Kirsty Capes about her debut novel Careless and ask about the process of writing and publishing it. Have a read at the conversation and don’t forget to check out Careless and Kirsty’s social media page (@kirstycapes.author).

Brunel Writer: Hi Kirsty, it is a pleasure to have you at Brunel Writer! Your debut novel Careless is out now, can you tell us about the story and the inspiration behind it? 

Kirsty Capes: Careless follows a young girl named Bess who is in foster care when she falls pregnant at age fifteen. The book follows her, and her best friend Eshal, as she decides what to do about her pregnancy, and as both girls navigate the treacherous terrain of female adolescence. I wanted to write a book about someone in foster care, as there are so few out there in the mainstream right now. I also wanted the book to tell a story about female friendship and unconditional love above all else.

BW: You have been working on this book for over five years, is that so? Which has been your favourite part of the process?

KC: Yes, I started writing the book when I was 21, and now it’s coming out when I’m approaching 28! I think my favourite part of the process has been getting to know my characters and getting stuck into the story. I also found the editing a really fun process which brought me closer to the text and helped me to get more out of the story.

BW: You studied Creative Writing at Brunel and started writing Careless whilst completing your PhD, how do you think your time at Brunel has influenced your journey?

KC: I’m a bit biased, but I think creative writing at Brunel is the BEST. The faculty are amazing. Every lecturer who taught me during my degrees at Brunel shaped my writing and my approach to storytelling in really profound and positive ways. I am forever grateful to all of them for being such relentless champions of the students and their work. 

BW: We have seen you have been working on your second book, how much can you tell us about it at this point? Is going to be a sequel to Careless or a new story? And when can we expect it?

KC: I can’t tell you very much at all! But it will be a new book, not related to Careless, although it will explore similar themes of coming of age, loneliness and learning to love yourself. It will be out in 2022. 

BW: Lastly, what advice would you give to any creative writing student thinking of writing their own novel?

KC: Hard work pays off! Don’t give up, even when you get knockbacks. Take all of the advice you can get, and read as much as you can. 

BW: Thank you and we wish you the best of luck!

Careless by Kirsty Capes is published by Orion and is out now. You can order your copy here.

Interview by Margarida Mendes Ribeiro