At Brunel Winter Graduation I was delighted to learn that I had been awarded the 2024 Creative Writing Prize in partnership with literary agency Johnson & Alcock.
I began studying Creative Writing part-time at Brunel University in 2022 after leaving a job in Marketing and Communications. I began the course feeling burnt out and hungry for inspiration. Over the next two years I found plenty – from reading George Saunder’s A Swim in a Pond in the Rain, Benjamin Zephaniah’s Refugee Boy and Helen Cullen’s The Truth Must Dazzle Gradually in my Elements of Fiction class and gaining invaluable feedback from my peers in our group discussions; laying the foundation for what would later become my dissertation in Planning a Novel; and returning for my second year to study The Art of the Monologue with Bernardine Evaristo and Angela Ekaette Michaels. I have never been particularly good at public speaking – before taking the class I would often feel my throat close up when addressing a crowd. I remember once, during my undergraduate at Leeds University, watching the piece of paper I was reading from shaking like it had a life of its own. But the techniques I learnt during our classes changed that, and in August of 2024, I was able to feel genuinely relaxed on stage when reading at the launch party of Borderless – an anthology I co-created alongside five other students at Brunel University (Alexia Guglielmi, Sundus Hassan-Nooli, Mahjaben Hussain, Harshita Kaushik and Neelam Sharma) in tribute to Benjamin Zephaniah.
Before it was time to start my dissertation, I learnt about the publishing world in Writers at Work where we gained insights about traditional and self-publishing routes, as well as other work avenues that writers often explore. For my project, I dived into the archives at the Bishopsgate Institute, which later helped bring the historical aspects of my novel to life.
My novel, which I plan to finish by the end of 2025 (now it’s in writing I’ll have to hold myself accountable), is split between two perspectives – Zoya and her daughter Guddu. Zoya leaves India after Partition and tries to forget the life she left behind, but Guddu, who wishes to unearth what has been hidden, immerses herself in a world of punk, activism and rebellion. In the first section of my novel, the reader follows Zoya through 1950s London as she tries to build a home in a hostile environment. My dissertation supervisor, Daljit Nagra, was able to guide me through areas I found difficult and advise me on ways to improve the flow of my writing.
However, post-dissertation, I found it challenging to continue writing without the structure and deadlines my MA gave me. I believe having the Creative Writing Prize is a testament to the ongoing support Brunel shows their student post-graduation, as meeting with Charlotte Seymour at Johnson & Alcock has rekindled my drive to write. Charlotte has encouraged me to look at my work from different perspectives, as well as pinpointing parts I could develop. The prize also means that once I have finished my manuscript, I gain a full readthrough, editorial feedback, and the possibility of representation by Johnson & Alcock. Knowing this has taken the pressure off what can seem like an overwhelming process of writing a manuscript to completion and sending it off into the ether hoping someone, somewhere will read it. However, even without the prize, attending Brunel has meant that I have gained a very supportive network of creative writers, where we send one another passages for feedback and make sure we meet our self-imposed deadlines.
Prior to attending Brunel, completing and publishing my own novel seemed a bit like a pipedream, but post-graduation it feels far more obtainable.
(Mira Mookerjee)
Creative Writing Prize Winner Mira Mookerjee at Brunel University of London Winter Graduation 2024 (image copyright Mira Mookerjee)
Congratulations to Brunel University of London Creative Writing Prize Winner Mira Mookerjee and to Runner-up Lauren Earle, from the Brunel University of London Creative Writing Team and all at Brunel Writer!
Creative Writing at Brunel University of London is pleased to announce the Creative Writing Prize in partnership with literary agency Johnson & Alcock.
The competition gives aspiring writers the opportunity to flex their creative muscles and potentially gain representation from a literary agent.
Dr Frazer Lee, Postgraduate Programme Lead and Reader in Creative Writing said: “The Creative Writing department is thrilled to partner with Johnson and Alcock literary agency for the Creative Writing Prize. The prize represents a truly fantastic opportunity for our talented postgraduate taught students, and we are excited to announce the winner at Winter Graduation.”
Here’s all you need to know:
About Johnson & Alcock:
Johnson & Alcock is a leading literary agency, now in its seventh decade and constantly expanding and innovating. Our four book agents work with our head of rights and a full administrative team for a vibrant list of authors from all over the world, both new and emerging writers and the long-established, in fiction and non-fiction. These include prizewinning and bestselling authors and literary estates across genres and in all forms of media, both in the UK and internationally.
Am I eligible?
Entries will be accepted by:
Students on Brunel’s Creative Writing MA course who are submitting a book project for the dissertation module in the current (2024 – 2025) and next academic year (2025 – 2026).
What’s up for grabs?
The winner receives:
A 1-to-1 session with an agent (in person or online)
A full manuscript read (should you decide to complete the book) and editorial feedback
The potential to be offered representation by Johnson & Alcock once the MS is completed (NB: subject to suitability. Please note that no guarantee of representation is made and the agency’s decision is final)
Runners up (up to two students) will receive:
An online consultation with an agent
How will the winner be chosen?
Literary agents from Johnson & Alcock will make their decision based on the sample chapters submitted as part of your final dissertation project.
When will the winner be announced?
At Winter Graduation in December. Keep an eye on #BrunelWriter socials for the announcement.
by Sundus Hassan Nooli (on behalf of the Brunel Literary Anthology)
A few days before the MA Creative Writing 2023 Winter Graduation, everyone – students, professors, readers – was rocked by the passing of Benjamin Zephaniah. His passing was felt around the world. And as the other side made way to greet him, it was beautiful to witness how many people were honouring his memory and art.
Benjamin Zephaniah was and still is a towering figure in the literary space, whose shoulders many of us, pupils, friends, and otherwise, stand upon.
To honour his powerful work in championing refugees, migrants, Blackness, humanity, justice, freedom, and street politics, the Brunel Literary Anthology invites former and current Creative Writing students from Brunel University London to submit their prose and poetry to BLA.
All are welcome to submit multiple works within a single submission, as long as they keep to the overall word count (further details below).
We welcome submissions of both poetry and short stories of any genre, including abstract and experimental fiction.
The submission guidelines are:
PROSE: 1,500 word limit, original piece, must not have been published elsewhere (personal websites and blogs included).
POETRY: Up to 4 poems.
For simultaneous submissions, in different genres, see example below:
You can submit up to:
• 2 short stories
OR
• 4 poems
OR
• 1 short story and 2 poems.
Deadline: February 26, 2024. Any and all questions and inquiries can be sent to blabla24@gmail.com. Submission link and further information can be found on our Instagram page.
With the blessing of Prof Zephaniah’s wife, all proceeds BLA makes will go directly to a charity of her choice.
Every year, The Brunel Writer Prize is awarded to the student with the highest graded article submission for the Creative Industries module on Brunel University’s Creative Writing Programme. This year’s winner is Jess Mival – congratulations Jess! Jess draws on her experience of freelancing to provide her fellow students with some excellent advice on…
How Not to Freelance at Uni
It’s 2am on a Wednesday night or, I suppose, a Thursday morning. You have a lecture in seven hours but haven’t slept because you have a work deadline in twelve hours. You’re hungry; you’ve only had three potato waffles and four diet cokes in the last fourteen hours.
What’s wrong with this picture?
Juggling work alongside university is hard. Anyone who says it is easy, is lying. Anyone who says it is manageable, is not lying. They’re annoying, but they’re not lying. I decided to #girlboss my way through uni and start freelancing, for many reasons. Working for myself? Amazing. Choosing my own hours? Stunning. Getting to say things like ‘just need to hop on a call with one of my clients’? Sensual. I signed up with Paperound, a website that helps students get freelance jobs, and started getting work quickly, saying ‘yes’ to pretty much any task requests that came my way.
Flash forward a couple weeks and the work is piling up. It’s only the beginning of term so it’s fine for me to prioritise work at the moment, right? I’ll just miss that lecture; I can watch it back online and I really want to take on this new client and I know I missed last week but I’m not feeling very well at the moment anyway.
And it’s all going great! It’s so great and fine and great! I’m drowning in uni deadlines and one of my clients wants me to rewrite the last 1000-word article and another wants me to create six more social posts by 5pm and I’ve had a headache for two weeks and I’ve run out of diet coke but I’m great!
Again. what’s. wrong. with. this. picture?
Spoiler alert: everything wasn’t fine. The classes I missed, or slacked to prioritise work, were the ones I ended up getting my lowest grades in, and I wasn’t producing the best quality work for my clients either. This is what I mean when I say working alongside uni isn’t easy, but it is manageable. You can juggle both whilst staying (sort of) sane, it just requires a little bit of that dreaded time management.
Now that you’ve seen how not to do it, I’ll try and actually be helpful. Something that really made a difference to me was completely separating my uni time from my work time. If you have a class 9-12, try and spend the afternoon doing uni work rather than work work. Realistically, you shouldn’t put yourself in a situation where you are having to spend every hour outside of your classes doing your freelance work. If you have classes all throughout the week, spend time at the weekend doing your freelance jobs or, if you have a weekday off, spend that day doing them.
If you really want to make it all work, I’d suggest getting a planner or at least writing stuff down on your notes app. Doing a to-do list might sound like the most mundane of solutions, but they’re so much more helpful than you think! Plus, if you write down things like “eat lunch” and “brush hair” you get to tick more off, which is way more fun than it should be.
Let’s head over to present day, shall we? It’s 6pm on a Thursday night and you’re closing your laptop. You’ve finished up an article for one client and four social posts for another and you’re now getting to tick those bits off your list. Your list for tomorrow is completely university-related, plus watching an episode of whatever terrible reality TV show is on. You’re going to make your dinner. It will be pasta, but it will have vegetables in it. Probably. Your life is not 10000% together but you are managing. That’s all you can do, really, is manage, and you’re doing it pretty well.
Jess Mival is a BA Creative Writing graduate from Brunel University. She is now studying for her MA in Professional Writing, at Falmouth University. Words have always been the centre of Jess’ universe; her Mum has said that “once she started talking, she didn’t stop.” If Jess isn’t talking, she is writing. If she isn’t writing, she is reading. Jess is, funnily enough, not good at maths.
Last month we ran a competition searching for flash fiction entries on the theme of “Winter Reads’. With great pleasure, we can announce that ‘Solstice’ by Harry Rooke-Kelly is the winner.
Rooke-Kelly’s story personifies the Winter season with humour and grace, focussing on its “unnecessary feelings” about nurturing life and featuring “the cryptic witch” Autumn and “new-born fawn” Spring.
Highly commended entries include ‘Winter Layers’ by Mariana Felix, a tender narrative of connection, and ‘Lokified’ by Alex Ayling, a weird, visually-playful and experimental story of transformation.
You can read all three stories below. We’d recommend doing so from beneath a pile of blankets, with a mug of hot cocoa, while the frost glitters outside. Enjoy!
‘Solstice’ by Harry Rooke-Kelly
No one appreciates how hard it is to cultivate well-laid snowfall, or how long it takes to create individually unique snowflakes.
This job was never easy. It has never been easy, in large thanks to you lot, with your cars, your cities, and your infernal gender reveal parties. Do you know how hard it is to cultivate a blizzard when everything is on fire? So perhaps it is petty of me to snow you in, freeze your roads, and ruin any holiday travel plans but like with most things, you have brought this upon yourself.
Regardless of your bothersome existence, this job has become increasingly hard as of late, largely due to the ever-bright Spring. Once a cycle we meet, to pass the ceremonial, and entirely metaphorical, baton. Every time, I watch him tumble over his words like a new-born fawn struggling to stand for the first time, while a small horde of bunnies hop around his legs, leave droppings and paw prints in my pristine snow. Every moment is misery, and he seems so blissfully unaware, nattering on about plants and desperately trying to drag me to see the lambs.
He is yet to succeed.
When time was new, and we equally as new, it was quiet. Yet to meet, I performed my duties, took one day of recuperation, and then began work for next winter. No one appreciates how hard it is to cultivate well-laid snowfall, or how long it takes to create individually unique snowflakes. No, you just whine about how cold it is.
Now I must meet with Autumn to take over duties and responsibilities, before handing them over to Spring. I have never encountered Summer, nor do I think I ever will. Autumn is pleasant enough, a little cold, but in a cosy sort of way. We share brief conversation, a light jab at what you lot are doing to the planet, and then she disappears back into the amber of mounting leaf piles.
This cycle, Autumn insinuated, like the cryptic witch I have come to know her as, that I have a semblance of affection for the naïve and childish Spring. It’s stupid, isn’t it? He’s an oaf, a boisterous loudmouth, constantly trying to drag me to his grove while mudding mine. But when I returned to the clearing where we meet, convinced I had misplaced my shawl and furs, I found a fern growing from the snow. It had been brief, but he had ‘accidentally’ trespassed into my domain and left a little reminder.
I thought of pulling it root and stem, then and there. But, what a curious experiment this could be.
So, every day, after my duties, I would attend to the fern, watering it, nourishing the soil as much as these icy hands could manage, and slowly, over the summer months, I grew attached to the little sprout. It was resilient, growing just as strong despite being an admittedly frozen thrall of this place, despite how brutal and cold it could be. It remained and wouldn’t go away.
It seems, unfortunately, Autumn was indeed correct.
I am saddled with… unnecessary feelings.
‘Winter Layers’ by Mariana Felix
She talks about the parts of our body that can fall apart if we let the cold take over.
I had been thinking about you for days. Not deliberately. Mostly sideways.
Without agenda. I could feel through the powerful echoes of the blue distance that you wanted to start a conversation. After all these years, I still know when you are thinking about me. I recognise that unique sensation of your thoughts travelling to wake up mine and revive a dormant connection. Neither of us are surprised anymore when it happens in either direction, nor are we scared.
I received your text during my evening walk. I felt my phone vibrate and I was sure it was you. Yet, it was so cold that I could not bring myself to take my hands out of my pockets. When I finally read your message in the comfort of my heated flat, I was confronted with the news of your upcoming engagement. My first instinct was to congratulate you, to be happy for you. But honestly, I wanted to ask you, ‘are you sure?’ ‘Is this what you really want or is this because you want kids?’ I worried about what was driving your decision, but I decided to ask no further questions. You sent me a picture and I searched for traces of joy in your eyes. Maybe the quality of the picture wasn’t great, maybe you knew what you’re doing after all, maybe you knew better after what happened to us.
Six winters and two children later, you send another one of those thoughts. I already know what you’re going to say. I catch the thought and open the space for you to vent. ‘It’s over,’ you write, ‘she ran away’. You seem broken and calm at the same time, the sense of inevitability makes you stand firmly on your two feet.
You are worried about what to do, terrified about what will happen next. You talk about your failures as a husband and your fear of being unlovable. You are so tired and you want to give up. But you have two kids now, and that is not an option. ‘Nobody talks about paternal instinct,’ you write. I cannot see your face, I haven’t seen it in years. I don’t know how many wrinkles you have, or if your children have filled your head with grey hair. Above all, I don’t know what to tell you, so I simply venture that I think the answers you are looking for are in the present.
In the end, it is your daughter who unfreezes you on your way home from school. With her adult vocabulary and her soft, yet assertive tone, she simply explains that if you don’t keep moving, you will get frostbite. She learned this at school today, she says. She talks about the parts of our body that can fall apart if we let the cold take over. She holds your ungloved hand and she gives it a kiss, then puts her inside her school backpack, the best glove she can improvise.
‘Lokified’ by Alex Ayling
ad tedium… ad nauseam… he’d gone and ad enuff!
Swamped deep, deep below mirror glass and the pistol grey dust that lounged atop, it brooded and clumped, a puckered map to be uncurtained. One swipe of a fingertip… and thus, ’twas beheld:
NOW! was the Winter of his mind’s content
Made aureus, spurious, curious?
No. Hopeful thoughts were a hopeless resort. Dorian didn’t – couldn’t – spend another second upon those soothing considerations, let alone reflections of himself… his self? Something hidden stared back. Ancestry. Mother’s hazelnut gaze, oppressively dull. Her husband’s glitter and glam had once broken that murk and conjured dreamy, impossible futures to brighten → bolster → bloom → burn, burn, burn ever-momentum, the ever razzle, ever dazzle of their next paranormal poster promise. Gasping mouths. Hoodwinked eyes. They had been her colour. Darkened then were this dynamo duo when the full stop of their marriage arrived with a heartbeat. New life was to brew in the bubble of their toil and trouble, kicking and screaming out of one cauldron to stir within another. Rose wept for an hour when she found her spotlight spellbound to lusher lips and rounder hips. A stuffed suitcase and a one way train ticket back to parents’ judgeful coddle were betrayal’s only remedy. That, and its silencing. She’d left her childhood sweetheart for MARVELLO BLACKSTONE, the dark prince of wonders! never to love another. Not even her son. Dorian had always known, since it was all his fault, wasn’t it?
Their noose was in his blood…
Alas! Something had to be watered from this soot. Failure must rouse success. A Hero’s Cycle. Mother dressed him with the ambitions of a skyscraper to grow mightier than Mount Olympus, to dwarf infinity, to escape high up from the past’s frosty clasp. Stallion gallop discipline shot the boy into manhood, tumbling scruffy haired through years of confinement within mental gymnasiums: dēbeō, dēbēre, dēbuī, dēbitum;
ad tedium… ad nauseam… he’d gone and ad enuff!
Grandfather’s viola still gathered attic stench, a voice suffocated in its coffin. Dorian thought of its maple, rough and osseous, needing to gasp for air. He rose…
…from the bog. He’d been drowning in it for years. All that academia, and for what? Didn’t Mother know that nothing can come from nothing? What wellspring could ever flourish through her son? Lokified – Jötunnborn yet reshaped – he was not made to reveal truths. A trickster’s purpose can only be found in the shuffling of illusions upon…
…a stage: A shadow puppet atop the mountain peak… floating… Then! a star enthroned by telescopic attention, carried high up into the celestial burn. It melted an ice heart into phoenix wings; thespian flesh; another’s voice, another’s skin, another’s face.
Dorian dabbed the last of the makeup, and smiled, someone else staring back.
Short poetry on the themes of migrants and refugees is sought for a new photobook by Brunel University photographer and artist, Chris Dundon-Smith. Brunel University is currently supporting Chris on the photojournalism project, 21 Miles. The photobook and poetry will form part of a multi-media installation at Ambika P3 Gallery in London (Nov 2022) and will then go on tour at a selection of galleries in 2023.
21 Miles is a multimedia documentary project that aims to describe the experience of the perilous twenty-one-mile journey across the English Channel, made by those seeking safety and asylum in the United Kingdom.
The video and audio installation uses a single photograph taken in the middle of the English Channel and combines it with over 400 smart-phone audio recordings taken from actual Chanel crossings, and the artist’s own recordings while on location.
In addition, the video installation is supported by a photobook that focuses on the physical and emotional signs and traces this demanding and terrifying journey leaves behind.
This is a non-profit passion project to raise awareness of the current situation and dangers facing people crossing the English Channel. Unfortunately, this is not a paid opportunity and very much aimed at those seeking to contribute to the cause due to an interest in the project or in writing poetry on the subject. There will however be the opportunity to feature in the photobook and the installation, and attend shows, as the work tours after the Ambika P3 show. There will also be a copy of the photobook provided to any successful applicants.
The poetry can be already existing work on these themes, or something new based on the work itself. The deadline for submitting will be 4th October 2022.
The Pandemic Era shifted our livelihoods, causing many of us to stay home for longer than we would have liked. Covid, the new World Heavyweight Champion, reigned supreme with no clear end in sight. But in that time, and after lots of introspection, Zoom calls and head scratching, the world started turning. The minds of 2021’s Horror, Sci-Fi and Fantasy class started churning those old rusty cogs again to do what we love. To write.
It is my honour to be a part of such a tenacious bunch, and to have personally designed the cover and name for our star-studded project. The online poll held for the anthology’s name was an exciting contest I knew I couldn’t miss out on. I studied previous anthologies in the series, like Wizards, Werewolves & Weird Enginesand Robots, Rogues & Revenants, and knew that alliteration had to be carried forward. But the theme? My featured story explores the Islamic myth of Jinn, a human-like race only invisible and made of fire. It was from this idea that I wanted to capture the eeriness and fear I had of them as a child, which led to the inspiration of the name. A race of invisible monsters, causing chaos without us ever knowing… aha! Myths, Monsters & Mayhem!
(Faizan’s winning cover design)
Before designing the book cover, I had no experience in digital drawing, except in editing existing works. I wanted to create something that carried the tradition of the previous covers, whilst adding my own artistic flair to it. I was playing games such as the action-adventure hit Assassin’s Creed: Valhalla and had recently gotten into the Islamic-historical series Resurrection Ertugrul, so I wanted to see if I could combine the barbaric Vikings from the game and mountainous, tribal landscape from the series. Hence, I hand-drew the mountain backdrop, with waves crashing over it symbolising chaos. The warriors dotting the cover were an homage to the stories featured, and the intimidating demon on the left was a nod to the Jinn. When learning of our plan to donate to NHS Charities Together, I knew I wanted the wash of blue from the waves to be more apparent, so I added the blue magic graphic to the eyes and hands of the warriors on the cover as a tribute. The cover of this anthology was a new venture for me, as were many of the stories for the writers. But life is about taking those leaps, and when you have the courage to do so, you share those spoils with the world.
We bring to you explorations of myths, tales of grotesquely intriguing monsters and fragments of absolute mayhem. From the kingdoms of ancients to facing fears, you are in for thrills and chills like no other. Gear up for a collection of provocative madness.
(our book in the Top 5 hot new releases on Amazon!)
Myths, Monsters and Mayhem is the perfect jolt you need right now, whether that be a spark of creativity for a dormant idea or an actual jolt of fright. Oh yes, this isn’t a book by the beach. Welcome to the world of mighty fights, strange encounters and gruelling, gripping tests. All fun times, I assure you. Each story ignites something different in you, and with each of our champion writers showcasing their finest works to date, your eyes will be racing page to page for more.
The world may not be completely back to normal just yet but, for a moment, join our world where fantasies are realised. Smile, laugh and cry with us as you explore this stellar book we’ve had so much joy in creating. We hope this anthology, and our previous anthologies, inspire you like they have inspired us. Who knows, maybe there’s a writer in you, impatiently waiting to burst through with myths, monsters and mayhem of your own?
Having lived abroad for 8 years, Faizan Ahmed had the pleasure of experiencing a myriad of cultures. Faizan is an aspiring Game Designer and Creative Writer. Enthused with a passion for wrestling, superheroes and historical fiction, he channels his experiences to create compelling content for a variety of media outlets. Follow his journey to become a WWE Wrestler on Instagram: @sher.khan.official and catch the latest in his life: @ahmedfaizan68
A book launch event with live readings by the student authors will follow this autumn (subject to Government health restrictions). Watch this blog for updates!
Every year, The Brunel Writer Prize is awarded to the student with the highest graded article submission for the Creative Industries module on Brunel University’s Creative Writing Programme. This year’s winner is Gatlin Perrin whose article offers some insightful tips on navigating uni. Congratulations Gatlin!
From Freshers to Final Year: How to Do University
by Gatlin Perrin
Getting through university is difficult, and anyone who says otherwise is lying. Wherever you’re at with your uni journey, here are fourteen no-nonsense tips and tricks for getting from Freshers to final year with the majority of your limbs intact.
Good luck.
1. There is a room on the second floor of the library filled with study cubicles. This is the perfect place on campus to cry. Don’t ask me how I know this.
2. On the third floor of the library is the mental wellbeing centre, where you can ask for counselling. They also give out free stress balls, which can be used as projectiles if you prefer a more violent approach to problem solving.
3. Some people will tell you that you’ll make friends for life during Freshers Week, and those people deserve to be punched in the face for causing unnecessary stress. That group over there who are all laughing and hugging aren’t “friends for life”, they’re drunk. You will find friends when you find them.
4. If you live in halls, remember – everyone has their own idea of what “sharing” is. The statement “help yourself to anything in my fridge” is a grenade that’s just had the pin removed. Padlock everything. P.S., everyone also has their own idea of what “clean” is, so get ready to discover at least seventeen different species of mould on a dinner plate.
5. Mind your own business. If I’m not judging you for only having attended one lecture the entire year, you don’t judge me for literally crying with relief when a lecturer tells me my assignment wasn’t awful. This is a no judgement zone.
6. When in second year, do not compare yourself to the first years. They’ll always seem more talented, more composed and somehow better looking than your year. Try not to take it personally.
7. When in third year, do not compare yourself to the previous third years. They also had no idea what they were doing, they just hid it better.
8. Buy a dictionary. This is because whatever year you happen to be in, none of the words on the assignment brief will ever start to make sense.
9. Kidneys go for an average of around £5000 on the black market. You can survive with just the one but you’ll need at least six if you keep doing your weekly shop at Sainsbury’s. Lidl is your friend.
10. Third years, buy an umbrella. This is because as soon as you enter your final year you will notice the vast storm cloud of “life after graduation” approaching in the distance. It’s coming faster than you think.
11. In that vein, if anyone asks you what your career plans are for after graduation you are required by law to push them down the stairs. Refer back to tip five.
12. Having mental health issues at university is like contracting an STI: more people have them than you think, you shouldn’t be ashamed but you still need to do something about them before they get worse. Refer back to tip two.
13. Get hopeful. This is because you have to – what’s the alternative? You’re not the only one who didn’t get that internship or won’t get the first they wanted, and this does not mean that you’ve failed at life. Focus on you.
14. Keep focusing on you. The most important part of university is to get out of it alive. Drink water. Get some sleep. Talk to someone when you need help. You’ve got this.
Gatlin Perrin is a North Walian writer who pens books for children and scripts that are not for children. Their play Bear Hands was featured digitally at the Edinburgh Fringe, and their children’s novel His Royal Hopeless is out September 2nd 2021 under the pen name Chloë Perrin. Gatlin likes to think they can do it all, which is probably why they’re in therapy.
Brunel Writer had the pleasure of talking to author Kirsty Capes about her debut novel Careless and ask about the process of writing and publishing it. Have a read at the conversation and don’t forget to check out Careless and Kirsty’s social media page (@kirstycapes.author).
Brunel Writer: Hi Kirsty, it is a pleasure to have you at Brunel Writer! Your debut novel Careless is out now, can you tell us about the story and the inspiration behind it?
Kirsty Capes:Careless follows a young girl named Bess who is in foster care when she falls pregnant at age fifteen. The book follows her, and her best friend Eshal, as she decides what to do about her pregnancy, and as both girls navigate the treacherous terrain of female adolescence. I wanted to write a book about someone in foster care, as there are so few out there in the mainstream right now. I also wanted the book to tell a story about female friendship and unconditional love above all else.
BW: You have been working on this book for over five years, is that so? Which has been your favourite part of the process?
KC: Yes, I started writing the book when I was 21, and now it’s coming out when I’m approaching 28! I think my favourite part of the process has been getting to know my characters and getting stuck into the story. I also found the editing a really fun process which brought me closer to the text and helped me to get more out of the story.
BW: You studied Creative Writing at Brunel and started writing Careless whilst completing your PhD, how do you think your time at Brunel has influenced your journey?
KC: I’m a bit biased, but I think creative writing at Brunel is the BEST. The faculty are amazing. Every lecturer who taught me during my degrees at Brunel shaped my writing and my approach to storytelling in really profound and positive ways. I am forever grateful to all of them for being such relentless champions of the students and their work.
BW: We have seen you have been working on your second book, how much can you tell us about it at this point? Is going to be a sequel to Careless or a new story? And when can we expect it?
KC: I can’t tell you very much at all! But it will be a new book, not related to Careless, although it will explore similar themes of coming of age, loneliness and learning to love yourself. It will be out in 2022.
BW: Lastly, what advice would you give to any creative writing student thinking of writing their own novel?
KC: Hard work pays off! Don’t give up, even when you get knockbacks. Take all of the advice you can get, and read as much as you can.
BW: Thank you and we wish you the best of luck!
Careless by Kirsty Capes is published by Orion and is out now. You can order your copy here.